Overlooking the piazza
is the magnificent Pisani palace, built perhaps in the 14th century on the
ruins of an ancient fortress. Noteworthy is the vast garden that lays behind
the palace.
A.
Prosdocimi
Mongraph of Vescovana, 1976
In 1606 the history
of Cittadella mentions the beautiful villa of Vescovana, but not the garden.
There is no mention of it until 1661: a "state of tithe" describes "barren
ground and fields".
A century later in the "Journal of Vescovana from 1782 to 1810"
the garden is mentioned again, barren with potted flowers and citrus trees.
In 1811, the land register of Napoleon describes similar conditions. Only
in 1852, when Evelina van Millingen took up residence at Vescovana, did
the transformation of the garden begin.
She lifted this sense of abandonment and created an atmosphere of aristocratic
informality for the "Doge's Farm", leading to the formation of the garden.
Born in 1831 in Pera, an ancient residential suburb or Constantinople
home of the Venetian "bailo" palace, Teresa Evelina Berengaria van Millingen
was the daughter of Julius, an English doctor with Dutch origins, known
for having cured and treated Lord Byron in Missolungi, and of a young
French woman raised in the harem of the Great Sultan of the Turks in Topkapi.
As a striking young girl, she was sent to her grandmother in Rome to be
receive a good education; later returned to Istanbul, to leave again for
a trip to Venice.
Her appearance in oriental dress at the Fenice Theatre brought much admiration,
and opened the doors to the Venetian nobility.
In 1852 Evelina married Almoro III Pisani, last descendant of the Santo
Stefano Pisani family, and divided her life between the Villa Pisani in
Vescovana, where she normally lived, and the Barbaro Palace in Venice,
where she resided on the first floor.
The Venetian living room of the Curtis family, wealthy Americans that
had purchased the second floor of the historical Barbaro Palace, became
the base for intellectuals, Anglo-american artists and royal visitors.
Here Evelina met illustrious people who later came and stayed at the Villa
in Vescovana.
Among these was Henry James, who often visited the Curtis family and was
moved by the Countess Pisani, so much so as to describe her as "...a
most remarkable woman, a lady that brings to mind Caterina Cornaro and
makes the romantic heroines of Disraeli and Bulwer credible."
The Queen of Sweden, The Empress of Germany, Frederica, daughter of Queen
Victoria, the poet Robert Browning, and Lord Byron were guests of Evelina
in Vescovana, where she had begun to spend more and more time.
Among the many scholars and intellectuals that stayed at Villa Pisani
was Margaret Symonds, daughter of John Addington Symonds (author of History
of the Renaissance in Italy), a young and romantic English writer that
after having experienced the aristocratic informality of the Doge's farm,
wrote the book "Days Spent on a Doge's Farm", an account of her time spent
at the villa.
This young guest's book, published in London in 1883, is the evidence
of all the love and dedication that the refined Evelina put into the construction
of the impressive garden and park.
Margaret Symonds described it as "the fruit of the strong English instinct
of the Countess Evelina, and of her need for flowers and shade, there
where she had found only barren acres exposed to the sun".
That land little by little became a unique creation of English taste,
a new world of green and of colors around the walls.
As a good Englishwoman and lover of country life, Evelina transformed
this flat and sun-ravaged expanse into a splendid garden. This modern
and skilled entrepreneur dedicated herself to better the condition of
the property, sole remaining source of income for the family after its
disastrous financial state between the end of the 1700s and the beginning
of the 1800's, that lead to the sale of the impressive villa in Stra.
Personally involved in the country farm, she dedicated herself to the
improvement of the townspeople's conditions, showing firmness, precision
and avant-garde humanity.
As described by Henry James, who admired her while she sped by on the
carriage she herself drove among the farms, in her sumptuous oriental
clothes, Evelina was a true romantic heroine and lone soul of the farm.
|
 |